๐Ÿ† TES Awards 2021: Strangest Placement in the Running Order

๐Ÿ† TES Awards 2021: Strangest Placement in the Running Order

As we prepare to say goodbye to the Eurovision class of 2021, we present the TES Awards! 136 people voted across 12 categories, and it now brings us great pleasure to announce our winners.

In this category, we raise an eyebrow to some of the choices made by the producers in deciding the running order for the Grand Final! We got the joy of El Diablo followed by Fallen Angel in semi-final 1, and “we don’t wanna grow up” to “growing up is getting old” during the final, and a country being placed second in the running order again. Which of these decisions was the strangest to you?

(To simplify voting for this category, only the Grand Final running order was taken into consideration)

And now for the winners…

In third place… Adrenalina by Senhit ft. Flo rida

Was Europe ready to feel the Flo Rida with her after two and a half hours of songs already?

In second place… Karma by Anxhela Peristeri

*Miranda Priestly voice* Albania second in the running order? How original.

And the winner of the Strangest Placement in the Running Order award is… Je Me Casse by Destiny

Did the producers say Je Me Casse to Destiny’s chance at the trophy by putting her in the 6th slot? We will never know.

Find out who won in the other categories, by listening to the latest episode of “That Eurovision Podcast”

You have been voting for your winners in various categories, and we will be individually revealing them in the lead-up to Eurovision New Year. If, however, you can’t wait to find out the rest of the results, take a listen to the latest episode of “That Eurovision Podcast” right here:

Did Destiny deserve to win the Strangest Placement in the Running Order award? Did you think another song should’ve won the award? Let us know in the comments below or on social media. Donโ€™t forget to follow โ€˜That Eurovision Siteโ€™ over at FacebookTwitter, and Instagram.

News Source: That Eurovision Site

Photo Source: EBU / Thomas Hanses

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